Gallery
| Video | Location | Description | |
|---|---|---|---|
|
The Demoiselle |
|||
| DM_1_1 | Act 1 | Extended read-through of 1.2 | Watch video |
| DM_1_2 | Act 1 | Tone of Bumpsey's speech: jovial and self-satisfied. | Watch video |
| DM_1_3 | Act 1 | Tone of Bumpsey's speech: greater degree of anger/reproach. | Watch video |
| DM_1_4 | Act 1 | Purse as prop. | Watch video |
| DM_1_5 | Act 1 | Delivery of 'that's left'. | Watch video |
| DM_1_6 | Act 1 | Delivery of 'Sh’t, sh’t, sh’t.' | Watch video |
| DM_1_7 | Act 1 | Magdalen playing a role. | Watch video |
| DM_1_8 | Act 1 | Bumpsey's control of the exchange with Valentine. | Watch video |
| DM_1_9 | Act 1 | Physical business with the purse. | Watch video |
| DM_1_10 | Act 1 | Alternative physical as Valentine offers to return Bumpsey's money. | Watch video |
| DM_1_11 | Act 1 | Speech 149 attributed to Dryground. | Watch video |
| DM_1_12 | Act 1 | Speech 149 delivered by Bumpsey. | Watch video |
| DM_1_13 | Act 1 | Bumpsey begins to formulate his plan. | Watch video |
| DM_1_14 | Act 1 | Magdalen's aside to Dryground; blocking. | Watch video |
| DM_1_15 | Act 1 | Magdalen's aside; blocking; delivery of 'God gi’ ye joy.' | Watch video |
| DM_2_1 | Act 2 | Run-through of long sequence from Act 2, Scene 1. | Watch video |
| DM_2_2 | Act 2 | Trebasco speaks in Cornish. | Watch video |
| DM_2_3 | Act 2 | Gallants' mockery of Sir Amphilus; blocking. | Watch video |
| DM_2_4 | Act 2 | Trebasco and Sir Amphilus: asides; physical business; blocking. | Watch video |
| DM_2_5 | Act 2 | Sir Amphilus and the gallants: 'These were her shoon'. | Watch video |
| DM_2_6 | Act 2 | Trebasco and Sir Amphilus: 'Why did you talk with ’em?' | Watch video |
| DM_2_7 | Act 2 | Trebasco and Sir Amphilus: 'Why did you talk with ’em?' | Watch video |
| DM_2_8 | Act 2 | Vermin and Sir Amphilus. | Watch video |
| DM_2_9 | Act 2 | Brookall's entrance; confrontation with Vermin: proximity. | Watch video |
| DM_2_10 | Act 2 | Brookall's entrance; confrontation with Vermin: circling. | Watch video |
| DM_2_11 | Act 2 | Brookall's entrance; confrontation with Vermin: reduced mobility. | Watch video |
| DM_2_12 | Act 2 | Discussion of Vermin-Brookall confrontation. | Watch video |
| DM_2_13 | Act 2 | Entrance of Phyllis: shift of tone. | Watch video |
| DM_2_14 | Act 2 | Lawyers pass across the front of the stage. | Watch video |
| DM_2_15 | Act 2 | Lawyers pass over stage: use of diagonal. | Watch video |
| DM_2_16 | Act 2 | Lawyers accosted by Phyllis; use of diagonal. | Watch video |
| DM_2_17 | Act 2 | Entry of lawyers; use of diagonal; costumes. | Watch video |
| DM_2_18 | Act 2 | Handling of exits. | Watch video |
| DM_2_19 | Act 2 | Vermin directs line to servant. | Watch video |
| DM_2_20 | Act 2 | Focus on Brookall. | Watch video |
| DM_2_21 | Act 2 | Attorney's lines as aside; treatment of stage direction 'He lies on his face.' | Watch video |
| DM_2_22 | Act 2 | Discussion of stage direction 'He lies on his face'. | Watch video |
| DM_2_23 | Act 2 | 'He lies on his face.' (crouching position); Brookall's 'Phew!'; reciting of cliches. | Watch video |
| DM_2_24 | Act 2 | Brookall and Friendly: longer extract. | Watch video |
| DM_3_1 | Act 3 | Wat and Dryground: lighter tone. | Watch video |
| DM_3_2 | Act 3 | Wat and Dryground: darker tone 1. | Watch video |
| DM_3_3 | Act 3 | Wat and Dryground: darker tone 2. | Watch video |
| DM_3_4 | Act 3 | Wat and Dryground: pause and shift of tone. | Watch video |
| DM_3_5 | Act 3 | Wat's 'Phew!' | Watch video |
| DM_3_6 | Act 3 | Dryground's 'Here’s a ripe rascal!' as aside. | Watch video |
| DM_3_7 | Act 3 | Frances' entrance; shift of tone. | Watch video |
| DM_3_8 | Act 3 | Oliver's innuendo; Frances's accent is relatively light. | Watch video |
| DM_3_9 | Act 3 | Frances with exaggerated French accent; Oliver with competent French. | Watch video |
| DM_3_10 | Act 3 | Oliver speaks French with a strong English accent. | Watch video |
| DM_3_11 | Act 3 | Oliver's aggression towards Frances. | Watch video |
| DM_3_12 | Act 3 | Close proximity between Oliver and Frances. | Watch video |
| DM_3_13 | Act 3 | Frances continues to speak with a French accent. | Watch video |
| DM_3_14 | Act 3 | Frances adopts an exaggerated English accent. | Watch video |
| DM_3_15 | Act 3 | Cutting between conversations. | Watch video |
| DM_3_16 | Act 3 | Frances's long speech: French accent. | Watch video |
| DM_3_17 | Act 3 | Frances's long speech: English accent. | Watch video |
| DM_5_1 | Act 5 | Tuition sequence: Hannah Watkins as Frances. | Watch video |
| DM_5_2 | Act 5 | Tuition sequence: Joseph Thompson as Frances (part 1). | Watch video |
| DM_5_3 | Act 5 | Tuition sequence: Joseph Thompson as Frances (part 2). | Watch video |
| DM_5_4 | Act 5 | Tuition sequence: Joseph Thompson as Frances (part 3). | Watch video |
| DM_5_5 | Act 5 | Tuition sequence: Joseph Thompson as Frances (part 4). | Watch video |
| DM_5_6 | Act 5 | Tuition sequence: Alan Morrissey as Frances. | Watch video |
| DM_5_7 | Act 5 | Business with the wine bottle. | Watch video |
| DM_5_8 | Act 5 | Alternative business with the wine bottle. | Watch video |
| DM_5_9 | Act 5 | Frances corrects Magdalen. | Watch video |
| DM_5_10 | Act 5 | Magdalen's innuendo ('Have you not learned to carry a man?'). | Watch video |
| DM_5_11 | Act 5 | Magdalen assumes that Frances's English is poor ('I ask you how much carriage she has learned?'); Frances's innuendo. | Watch video |
| DM_5_12 | Act 5 | Magdalen's curtsey. | Watch video |
| DM_5_13 | Act 5 | Magdalen's second curtsey. | Watch video |
| DM_5_14 | Act 5 | Magdalen's second curtsey. | Watch video |
| DM_5_15 | Act 5 | Frances's innuendo ('all your other parts and members'). | Watch video |
| DM_5_16 | Act 5 | Frances's innuendo ('To love and lie with you courtly'); intimacy with Magdalen. | Watch video |
| DM_5_17 | Act 5 | Frances's control of the dialogue; movement around stage. | Watch video |
| DM_5_18 | Act 5 | Magdalen's 'Free from French flea-bites' addressed to Frances. | Watch video |
| DM_5_19 | Act 5 | Magdalen's 'Free from French flea-bites' addressed to Alice and Jane. | Watch video |
| DM_5_20 | Act 5 | Joseph Thompson as Frances: wavering French accent. | Watch video |
| DM_5_21 | Act 5 | Joseph Thompson discusses Frances's long speech. | Watch video |
| DM_5_22 | Act 5 | Frances's long speech: Alan Morrissey as Frances; use of audience. | Watch video |
| DM_5_23 | Act 5 | Read-through of play's conclusion. | Watch video |
| DM_5_24 | Act 5 | Oliver's exchange with Frances. | Watch video |
| DM_5_25 | Act 5 | Mass entrance from different points. | Watch video |
| DM_5_26 | Act 5 | Treatment of stage direction 'Discover Frances'. | Watch video |
| DM_5_27 | Act 5 | Delivery of Frances's line 'Your ‘ha’s and ‘ho’s cannot draw her from me'. | Watch video |
| DM_5_28 | Act 5 | Interpretation of stage direction 'Discovers himself': Dryground removes his wig. | Watch video |
| DM_5_29 | Act 5 | Additional stage direction, '[To Sir AMPHILUS]'. | Watch video |
| DM_5_30 | Act 5 | Sir Amphilus's 'I know what I know' as veiled threat; direction of Vermin's 'Hence.' | Watch video |
| DM_5_31 | Act 5 | Magdalen's exchange with Bumpsey: comic tone. | Watch video |