Gallery
| Video | Location | Description | |
|---|---|---|---|
|
A Jovial Crew |
|||
| JC_1_1 | Act 1 | Helen Ostovich talks of the influence of the nightingale on Springlove. | Watch video |
| JC_1_2 | Act 1 | Brian Woolland discusses an analogy with the actor playing Oldrents | Watch video |
| JC_1_3 | Act 1 | Springlove's encounter with Oldrents (in full) | Watch video |
| JC_1_4 | Act 1 | Introducing physicality into the encounter between Oldrents and Springlove | Watch video |
| JC_1_5 | Act 1 | Physicalising the relationship between Springlove and Oldrents | Watch video |
| JC_2_1 | Act 2 | Game-playing between Meriel and Rachel | Watch video |
| JC_2_2 | Act 2 | Changing the space improves the actors' engagement with language | Watch video |
| JC_2_3 | Act 2 | The women plan in secret their future escapade with their men | Watch video |
| JC_2_4 | Act 2 | Meriel's positioning of herself in relation to the men | Watch video |
| JC_2_5 | Act 2 | The women encourage each other to be "naughty" | Watch video |
| JC_2_6 | Act 2 | The differing reactions of Hilliard and Vincent to the women's plan to be a-begging | Watch video |
| JC_2_7 | Act 2 | Discriminating between the men's responses to their women and the idea of going begging | Watch video |
| JC_3_1 | Act 3 | Springlove and Hilliard as beggars advance on the two gentlemen | Watch video |
| JC_3_2 | Act 3 | A broad comedy approach to the first begging scene | Watch video |
| JC_3_3 | Act 3 | Springlove being whipped | Watch video |
| JC_3_4 | Act 3 | Re-positioning the actors in the first begging sequence | Watch video |
| JC_3_5 | Act 3 | Springlove chooses to sit down passively in front of the gentlemen | Watch video |
| JC_3_6 | Act 3 | A first run-through of the begging scene | Watch video |
| JC_3_7 | Act 3 | The actor playing Vincent develops a relationship with the audience | Watch video |
| JC_3_8 | Act 3 | Vincent deprecates his lack of skill as a beggar | Watch video |
| JC_3_9 | Act 3 | Speech 478: "the court goes a-begging" | Watch video |
| JC_3_10 | Act 3 | Oliver's soliloquy | Watch video |
| JC_3_11 | Act 3 | "Thy language makes me wonder at thy person" | Watch video |
| JC_3_12 | Act 3 | Oliver and the beggar: exploring a staging idea | Watch video |
| JC_3_13 | Act 3 | A run-through of this sequence | Watch video |
| JC_3_14 | Act 3 | The women as beggars and an urge to become competitive | Watch video |
| JC_3_15 | Act 3 | A sexually voracious Oliver | Watch video |
| JC_3_16 | Act 3 | Elements of threat enter the playing | Watch video |
| JC_5_1 | Act 5 | Randall's stage-fright | Watch video |
| JC_5_2 | Act 5 | Increasing Randall's nervousness | Watch video |
| JC_5_3 | Act 5 | Springlove and the Lawyer | Watch video |
| JC_5_4 | Act 5 | The Patrico performs in the play-within-the-play | Watch video |
| JC_5_5 | Act 5 | The Patrico with Oldrents | Watch video |
| JC_5_6 | Act 5 | The relationship between the play-within-the-play and the onstage audience | Watch video |