Gallery
| Video | Location | Description | |
|---|---|---|---|
|
The Northern Lass |
|||
| NL_1_1 | Act 1 | Triedwell's asides to audience during dialogue with Fitchow reveal changing emotions of scene. | Watch video |
| NL_1_2 | Act 1 | Comic business with entrance of servant Humphrey Howdee. | Watch video |
| NL_1_3 | Act 1 | Comic business with Howdee followed by versions of asides by Triedwell and Fitchow as either direct address or comment to self. | Watch video |
| NL_2_1 | Act 2 | Standing version of Constance's flashback to first encounter with Sir Philip. | Watch video |
| NL_2_2 | Act 2 | Seated version of Constance's flashback to first encounter with Sir Philip. | Watch video |
| NL_2_3 | Act 2 | Discussion by Sam Alexander of issues of gender and tone when playing the role of Constance. | Watch video |
| NL_2_4 | Act 2 | Discussion of possible hand gestures and movement for Constance's flashback to first encounter with Sir Philip. | Watch video |
| NL_2_5 | Act 2 | Exploring involvement of audience with Anvil's ill-informed asides to enhance the comedy of the moment when he mistakenly believes he has arrived at a high-clas brothel. | Watch video |
| NL_3_1 | Act 3 | Constance recalls Ophelia in her scene of love-melancholy. | Watch video |
| NL_3_2 | Act 3 | Experimentation with hand gestures and close-ups as Constance performs the role of Ophelia in her love-melancholy. | Watch video |
| NL_3_3 | Act 3 | Constance's use of song as site of memory in her love-melancholy. | Watch video |
| NL_3_4 | Act 3 | Nonsense as silent witness to Constance's distress. | Watch video |