Gallery
| Video | Location | Description | |
|---|---|---|---|
|
The Queen and Concubine |
|||
| QC_1_1 | Act 1 | Discussion between actors and editors about the atmosphere and dynamics of this scene | Watch video |
| QC_1_2 | Act 1 | Horatio's speech, half directed to Lodovico and Flavello and half to the audience. | Watch video |
| QC_1_3 | Act 1 | The King’s interjections during Eulalia’s speech, with an openly antagonistic King interrupting Eulalia. | Watch video |
| QC_1_4 | Act 1 | King’s interjections during Eulalia’s speech with the King standing beside Alinda and inspecting her closely as the Queen speaks. | Watch video |
| QC_1_5 | Act 1 | King inspects Alinda as he speaks to Eulalia | Watch video |
| QC_1_6 | Act 1 | Last of the King’s interruptions delivered as an aside. | Watch video |
| QC_1_7 | Act 1 | Discussion of the King's asides between actors and editors. | Watch video |
| QC_1_8 | Act 1 | Sforza and Alinda converse during the King’s exchange with Eulalia; King forces Sforza to move towards him | Watch video |
| QC_1_9 | Act 1 | Sforza moves across stage towards Alinda. | Watch video |
| QC_1_10 | Act 1 | Characters placed in order for Sforza to gain a strong position from which to react to the King’s advances on his daughter | Watch video |
| QC_1_11 | Act 1 | King kisses Alinda; Sforza storms | Watch video |
| QC_1_12 | Act 1 | King's asides and following dialogue; King initially seated | Watch video |
| QC_1_13 | Act 1 | Eulalia and Alinda exit. | Watch video |
| QC_2_1 | Act 2 | Actor Robert Lister on gestures for the dumbshow in 2.1. | Watch video |
| QC_2_2 | Act 2 | Gesture in dumbshow: 'He with his finger menaces Eulalia'. | Watch video |
| QC_2_3 | Act 2 | Gesture in the dumbshow in 2.1: 'she looks meekly'. | Watch video |
| QC_2_4 | Act 2 | Gesture in the dumbshow in 2.1: 'she looks meekly'. | Watch video |
| QC_2_5 | Act 2 | King's speech: address to audience and gestures towards Eulalia. | Watch video |
| QC_2_6 | Act 2 | Lodovico's asides delivered aloud. | Watch video |
| QC_2_7 | Act 2 | Lodovico's asides: penultimate and last registered by King. | Watch video |
| QC_2_8 | Act 2 | Lodovico's asides: other characters freeze as he speaks. | Watch video |
| QC_2_9 | Act 2 | King gestures towards Eulalia as he speaks. | Watch video |
| QC_2_10 | Act 2 | King's speech addressed to audience. | Watch video |
| QC_2_11 | Act 2 | Sforza apparently able to move freely. | Watch video |
| QC_2_12 | Act 2 | Sforza's movement confined. | Watch video |
| QC_2_13 | Act 2 | Keeper pities Sforza. | Watch video |
| QC_2_14 | Act 2 | Keeper is officious or petty in his treatment of Sforza. | Watch video |
| QC_2_15 | Act 2 | Keeper's gestures: following stage directions. | Watch video |
| QC_2_16 | Act 2 | Keeper's gestures: more satiric treatment. | Watch video |
| QC_2_17 | Act 2 | Keeper: harshness and hidden sympathy. | Watch video |
| QC_2_18 | Act 2 | Keeper's gestures: restrained and naturalistic. | Watch video |
| QC_2_19 | Act 2 | Keeper's deferential gesture: offer of food and drink; Sforza's line as aside. | Watch video |
| QC_2_20 | Act 2 | Keeper's deferential gesture: salute. | Watch video |
| QC_3_1 | Act 3 | Reading of Eulalia's soliloquy and dumbshow. | Watch video |
| QC_3_2 | Act 3 | Delivery of Eulalia's speech. | Watch video |
| QC_3_3 | Act 3 | Dumbshow in 3.1: coordination of action. | Watch video |
| QC_3_4 | Act 3 | Dumbshow in 3.1: placing of Genius. | Watch video |
| QC_3_5 | Act 3 | Dumbshow in 3.1: gestures of hired villains. | Watch video |
| QC_3_6 | Act 3 | Dumbshow in 3.1: movement of Keeper and Sforza. | Watch video |
| QC_3_7 | Act 3 | Dumbshow in 3.1: movement of Keeper and Sforza. | Watch video |
| QC_3_8 | Act 3 | Dumbshow in 3.1: gestures and kisses. | Watch video |
| QC_4_1 | Act 4 | Petruccio's narration and King's agitation. | Watch video |
| QC_4_2 | Act 4 | King and Alinda: Alinda's movement and aggression. | Watch video |
| QC_4_3 | Act 4 | King and Alinda: Alinda's agitation and aggression. | Watch video |
| QC_4_4 | Act 4 | King and Alinda: Alinda less mobile and forces King to come to her. | Watch video |
| QC_4_5 | Act 4 | King and Alinda: King seated and less mobile. | Watch video |
| QC_4_6 | Act 4 | King and Alinda: Petruccio's comments. | Watch video |
| QC_4_7 | Act 4 | King and Alinda: 'Horatio holds up his hands'. | Watch video |
| QC_4_8 | Act 4 | King and Alinda: 'Horatio holds up his hands' (movement away from King). | Watch video |
| QC_4_9 | Act 4 | King and Alinda: Discussion between actors and editors about stage direction, 'Horatio holds up his hands'. | Watch video |
| QC_4_10 | Act 4 | King and Alinda: Hannah Watkins on stage direction 'Horatio holds up his hands. | Watch video |
| QC_4_11 | Act 4 | King and Alinda: Horatio at back of stage; | Watch video |
| QC_4_12 | Act 4 | King and Alinda: involvement of Petruccio. | Watch video |
| QC_4_13 | Act 4 | King and Alinda: Petruccio's involvement. | Watch video |
| QC_4_14 | Act 4 | King and Alinda: forms of address. | Watch video |
| QC_4_15 | Act 4 | King and Alinda: Alinda's aside. | Watch video |
| QC_4_16 | Act 4 | King and Alinda: build-up to Alinda's exit. | Watch video |
| QC_4_17 | Act 4 | King and Alinda: Alinda's exit, King's soliloquy and dialogue with Horatio. | Watch video |
| QC_5_1 | Act 5 | Judgement on Alinda: read-through of entire sequence. | Watch video |
| QC_5_2 | Act 5 | Judgement on Alinda: Exchanges between Horatio and Lodovico; Alinda's asides. | Watch video |
| QC_5_3 | Act 5 | Judgement on Alinda: Eulalia's entrance and kneeling. | Watch video |
| QC_5_4 | Act 5 | Judgement on Alinda: aggression in Eulalia and Alinda. | Watch video |
| QC_5_5 | Act 5 | Judgement on Alinda: extravagant loyalty and passivity in Eulalia. | Watch video |
| QC_5_6 | Act 5 | Judgement on Alinda: King acknowledges final mass speech. | Watch video |
| QC_5_7 | Act 5 | Judgement on Alinda: Alinda mocks Eulalia (treatment of stage direction). | Watch video |
| QC_5_8 | Act 5 | Judgement on Alinda: treatment of stage direction, 'Eulalia whispers [to] her'. | Watch video |
| QC_5_9 | Act 5 | Judgement on Alinda: Eulalia presents the letter to the King. | Watch video |
| QC_5_10 | Act 5 | Judgement on Alinda: comic relief in the exchange between Lodovico and Horatio. | Watch video |
| QC_5_11 | Act 5 | Judgement on Alinda: Eulalia's warning and the King's response. | Watch video |
| QC_5_12 | Act 5 | Judgement on Alinda: mass speeches read in unison. | Watch video |
| QC_5_13 | Act 5 | Judgement on Alinda: mass speeches delivered in whispers, not in unison; actors address members of audience. | Watch video |
| QC_5_14 | Act 5 | Judgement on Alinda: mass speeches delivered loudly, in unison, to audience. | Watch video |
| QC_5_15 | Act 5 | Judgement on Alinda: mass speeches in unison, volume rising. | Watch video |
| QC_5_16 | Act 5 | Judgement on Alinda: King acknowledges all three mass speeches. | Watch video |
| QC_5_17 | Act 5 | Judgement on Alinda: Eulalia placed in the King's 'seat'. | Watch video |
| QC_5_18 | Act 5 | Country Parliament: reading of sequence up to entry of Flavello and Guard. | Watch video |
| QC_5_19 | Act 5 | Country Parliament: Opening speech creating impression of formality; Lollio's reluctance to join in co-ordinated action when feeling slighted; delivery of lines; physical business. | Watch video |
| QC_5_20 | Act 5 | Country Parliament: Poggio's warped use of language. | Watch video |
| QC_5_21 | Act 5 | Country Parliament: delivery of Lollio's lines; physical business. | Watch video |
| QC_5_22 | Act 5 | Country Parliament: attempt at formality. | Watch video |
| QC_5_23 | Act 5 | Country Parliament: actor Adam Kay suggests physical business. | Watch video |